A lockdown plan, for the expulsion of boredom.

Now I’ve started scanning film, I’m having trouble stopping. The other day I found out a file of old negatives in my darkroom, shot mostly with my old Mamyia C330 on 120 Tri-X. I’d forgotten they existed, so it was a nice surprise. I’m now in the process of scanning and editing them. This should keep me busy for the most of lockdown, at any rate!

Here are a few so far, all of which were shot in 2008:

Old man at the bottom of the steps.

I like this old tree, it has plenty of character. It’s at the bottom of the steps, up to Mnt. Joy. 2008.

Mamiya C330, 80mm lense,
Kodak Tri-X 400,
Xtol 1+1, 8 minutes with 4 minute pre-soak,
Canoscan 8800f and Vuescan x64,
Edited in Exposure X5.
Steps… lots of bloody steps.

These are the side steps up to Mnt. Joy. 2008.

Mamiya C330, 80mm lense,
Kodak Tri-X 400,
Xtol 1+1, 8 minutes with 4 minute pre-soak,
Canoscan 8800f and Vuescan x64,
Edited in Exposure X5.
Parkhurst Trees 1

Mamiya C330, 80mm lense,
Kodak Tri-X 400,
Xtol 1+1, 8 minutes with 4 minute pre-soak,
Canoscan 8800f and Vuescan x64,
Edited (barely) in Exposure X5.

Also, today’s film scanning music is provided by The Black Keys 🙂

Things I have learned

These past few days, I have learned some things.

You can’t always win…

After shooting a roll of film, it doesn’t mean that that’s the end of it. I shot a roll. I developed it. And after developing it, I found there were major light leaks at some point. Could barely make out the frames and there were no details on the negative. Bugger. Had to shoot another roll to check it wasn’t the camera. It wasn’t. Either I’d cocked up, or there was a problem with the film.

I don’t know how to scan film…

I really don’t. Today I’ve spent some time scanning films with Vuescan. Sometimes I’ll get a good scan, sometimes I won’t. The silverfast demo gave me some better scans, but again, very hit and miss. This is something I’m going to have to teach myself. It doesn’t help that my scanner is getting a bit long in the tooth.

My darkroom isn’t clean enough…

When scanning my film, you notice all the blemishes. Lith printing is my preferred printing process, and it’s very forgiving of crap negatives. Scanning negatives however, is less forgiving. There’s dirt on the scanner, for sure, but there’s also dirt on the negatives. After drying the last film, I noticed there was a lot of dirt. Hairs even. Time to sort out the darkroom I think!

I have a soft spot…

I do love the Pentax ME Super. It was my second camera and when my old one died, I got a refurbished one from a popular auction site. Bought a 28mm lense for it, so I could go walkabout with it (not that I can now, with another lockdown in sight). I’m not sure if it was a good investment, as I seem to get very contrasty negatives from the SMC lenses.

Taken with a Pentax ME Super, with 28mm f/2.8 Pentax SMC-A lenses. Scanned with Canoscan 8800f, vuescan x64. Edited with Exposure X5.

The past, or the future?

I’ve started scanning my back catalogue of negatives too, as what often happens is I’ll choose a shot or two for lith printing, then abandon the other shots. Worth a punt anyway!

Taken with a Nikon f100, Lensbaby Composer and Sweet 35 Optic. Ilford Delta 400 @ 400, Ilford DD-X 1+4 @ 23C for 6 minutes. Canoscan 8800f, Vuescan x64. Edited with Exposure X5.